Showing posts with label black atlantic music. Show all posts
Showing posts with label black atlantic music. Show all posts

Luis Agudo - Afrosamba (Afrobrazilian jazz&drums, 1984)

(VPA 172).

Luis Agudo (1940-) is an Argentinian percussionist who developed an unique style based on brazilian and african drums and rhythms. He's a real rhythmic explorer, building his own percussions. This led him to play worldwide for many jazz musicians (Baden Powell, Dizzy Gillespie, Elvin Jones, Junior Cook...).
This record is a solo recording realized in Italia (original press from Red Records) where he shows his wide variety of sounds, rhythms and effects.

Sharing Heritage (Original roots voodoo music from Haiti)

(Center for African Studies, Haiti).

It is a well documented fact that the Dahomeans participated in the slave trade only as a measure of "self defense"... But they had sworn among themselves never to sell anyone from their ethnic group (the Aja people).
Unfortunately towards the end of the 18th century, a "crazy man" named Agongolo seized power in Dahomey : he violated the oath of the Aja, and he sold even his own parents into slavery. In 1806, 4000 Dahomeans of royal blood who fell victim to the heinous act of Agongolo, landed in Haiti. Henry Christophe, King of Haiti had "bought" them from an English trader... Once in Haiti, these Dahomeans were set free. They were entrusted with the upkeep of the affairs of the Court of the King Henry. When King Henry died, they followed their leader Alluda Mugnon into the Artibonite Valley. There they founded their own village...
This recording is the first recording ever of the religious Vodu practices of these people. (Liner notes)

Manolo Guardia - Negro en sol menor (Candomble inspired jazz from Uruguay, 1960s)

(Fermata 3F0128).


Candomble beleives and culture, originated from african voduns and musically based on drums, are widespread in Brazil, but also traveled south down to Uruguay, where exist also expressions of this religion.
Successful meeting of jazz and candomble rhythms is not so common, so I hope you enjoy this track from Manolo Guardia, uruguayan pianist both interested in jazz and tango, and who experimented unique afrolatinjazz fusion during the 60s.

Luis Morais em La Bonanza - La Murga Panamero (Cumbia de Cabo Verde, 70s)

(Morabeza Records 6810 254).

Cabo Verde being on the road between Africa and the Caribbean, latin covers regularly appear. This Luis Morais LP includes a murga (credited to W. Calon and H. Lavon!), a cumbia (Lisandro Meza) and some other tropical rhythms.

Ornette Coleman - Midnight sunrise (joujouka jazz, 1977)

(Horizon 722).

This one is for ears looking for free expriments. From his 1959 "Free Jazz" LP, which open great perspectives in US jazz during the 60s, Ornette Coleman did not stop to innovate.  As many free jazz musicians, looking for african roots could take part in the approach. So Dancing In Your Head LP includes an interesting experiment with musicians from Morocco, the Master Musicians of Joujouka, recorded between 1973 and 1975. Being a sufi brotherhood, music from Joujouka aims to reach a trance (a kind of mystic musico-therapy also present in  Gnaoua culture) and naturally allows jazzy experiments. And I guess it's not just by chance that the cover artwork represents 2 faces of the same head.

Afroperuvian instruments and rhythms (Extended Black Atlantic folklore)


A special post to discover various instruments and rhythms from the afroperuvian musical environment. Afro culture in Peru is direct consequence to slavery of various african ethnic groups brought until 1850. A kind of "identidad costena" (coastal identity) has been developed by the black people and afrodescendientes on the pacific coast, culturally totally different from interior's andean mountains (in some aspects, this regional specificity that can remind La Cuesta in Colombia).

Francis Bebey - Concert pour un Vieux Masque (Black Atlantic music, 1980)

(Philips 70.468)

This is a guitar recital, composed and played by Cameroon's multi-artist Francis Bebey. As always with Bebey, it's poetic, sharp and meaningful... (have a look at the enlightening liner notes in french/english).

Pico Culture #01 - Introducing "El Pico"


A very interesting cultural aspect on the colombian caribbean coast, particularly in Cartagena and Baranquilla  is the Pico Culture. A Pico is a soundsystem that usually plays vinyls (very loud!) during weekends. It developed on the coast from the 60s and evolved up to now with different influences during each decade. The caribbean coast has always been for Colombia the "front door" for other countries, so Baranquilla as principal harbor, received influences (and records) from all around the caribbean and also from Africa. As result, big proportion of the music played is african vinyls from Nigeria, Ghana, Kenya, Zaire, Angola (some DJs play 100% african music). But the selection can also be very diverse (cumbia, gaita, guaguanco, pachanga, tumbele, calypso, reggae... ), demonstrating importance of this crossroad within black atlantic interconnections. In parallel, it also developed a local style played on the soundsystems, initially called "Terapia" then "Champeta". Althoug corresponding more to a "80s sound" (including effects and new technical possibilities), it reveals amazing soukous influences which contributed to a kind of renewing of the african consciousness in popular areas of Cartagena and Baranquilla.


Bonga / Tiao / Jo Maka - Racines (Angola+Brazil+Guinea, 1978)

(Playa Sound SF202).

A kind of "Black Atlantic" musical mixture is here well represented with this album from Bonga (Angola), Tiao Tocha Perazzo (Brazil) and Jo Maka (Guinea). Slaves from Benin, Angola and Congo were transplanted in brasilian Nordeste. From these african roots, afro-brazilian generations developed both sacred music (candomble) and popular music (samba). This beautiful album is a nice way to meet up again musically. 

The Flying Carpet Radioshow


I just had a ride on a musical flying carpet, The Flying Carpet Radioshow (Radio Ciutat Vella FM 100.5 Barcelona). 
An african records selection, and some context.

Listen to the radioshow: 


Laba Sosseh y su Conjunto - Seyni (Afrolatin from Senegal, 1969)

(N'DARDISC 45-15).

Laba Sosseh (1943-2007) had a 40 years long african salsero carreer, singing pachanga, bolero, guajira, son cubano... He's originally from Gambia, and played during the 60s at Club Miami (Dakar, with Star Band & Ibra Kasse), at Club Sangomar (Thies, with engineer Moussa Diallo). He founded with nigerian sax player Dexter Johnson the Super Star Orchestra de Dakar and recorded for N'Dardisc (Label from Louis Fourment, Radio Africaine director).

Lisandro Meza - Shakalao / Shakara (Fela Kuti vibe in Colombia, 1975)

(Limeza).

Muzzicaltrips travels around mutual influences between Africa and Latin America.
Here's a great example, "Shacalao", played by Colombian Lisandro Mesa, cumbia master, known as "Accordion World Champion", joined by his conjunto.
It consists of a roots afro-colombian version of nigerian king of afrobeat Fela Kuti song "Shakara".
Amazing mixed influences version, atlantic ocean seems to have evaporated...