Showing posts with label #interview. Show all posts
Showing posts with label #interview. Show all posts

Alejo Duran sings and tells his life (Colombian archives, 1986)



Alejo Duran is a legend in Colombia, as king of the most popular style: Vallenato. This day of 1986, going out the recording studio where he comes back to events of his life, Alejo Duran said to the interviewer: "I would like this reel to be kept up to the day I die... supposing this day ever happens". He died three years later and this LP was released in 1989.

Dieuf-Dieul de Thies (Unreleased senegalese sounds from early 80s)

(TRLP017).

An obscure 80s band from Thies in Senegal have just been brought back to life by label Teranga Beat. Dieuf-Dieul played from 1979 to 1982, but it appears their music never have chance to be released on a proper vinyl nor tape album until today. That's why i found interesting to present this record on Muzzicaltrips and to discuss with Teranga Beat Label founder, about these recordings and amazing piece of senegalese musical heritage.
Dieuf-Dieul was run by Pape "Abdou Aziz" Seck, ex member of Guelewar from Gambia,  not to be mismatched with  70s figure Pape "Serigne" Seck (from Star Jazz de Saint Louis, Star Band de Dakar, Number One du Senegal). To have an idea of  his carreer, Pape Seck played guitar in following bands:

Meeting with Lansiné Kouyate and David Neerman (Afrojazz, 2012)

Kouyate-Neerman, Palmwine Mandingo Party, Nuits Sonores 2012.

This unique musical experience is based on a duo: Kouyate, balafon player from Kangaba in Mali, and Neerman a french vibraphone player. More than a cultural meeting, the dialogue between this two cousin instruments is here pretext to creative explorations in rhythm and melody. Taking roots in both jazz and mandingo tradition, the created atmosphere is definitely modern: although recorded in an analog studio, the second album integrates the balafon with breaks and vibraphone effects research. The title "Skycrapers and Deities" reflects perfectly the approach, linking up modernism and tradition, concrete and mysticism, human and god. 


Ahmadou Kourouma - Les Soleils des Independances (1970)



A special post for this record, taking part of a valuable RFI collection focussed on black literature. Ivorian writer Ahmadou Kourouma (+2003) explains his approach and background, particularly on one of his most famous novel published in 1968: The Suns of Independences, which corresponds to this confused post-colonial period where many changes took place but also many disillusions appeared.