Showing posts with label afrocolombiano. Show all posts
Showing posts with label afrocolombiano. Show all posts

Marimba rhythms from Colombia Pacifico


Marimba traveled from Africa (balafon) to Central America and the Caribbean several centuries ago. This percussive and melodic instrument had time to spread and can be found along the Pacific shore from Mexico to Ecuador, where it became an integral part of local folklore (and even national pride in Guatemala).
I had opportunity discover how marimba is played in Central America, but influence of african rhythms is not as significative as in Colombia. In Chocó region, the main folkloric style is the currulao (dance and rhythm), where marimba transmits a unique deep swing. So just a post to share some rough recordings, which will probably sound familiar to you as these rhythms are still source of influence in some modern productions today (and still the base of actual folkloric music from the Pacific area). 

Toto La Momposina and Baranquilla Carnaval Live in La Habana (2013)


Afrocolombian spirit gliding over La Habana, could be a good summary of this unique night, beginning in the Teatro de America, and ending in the streets as an improvised carnaval...

On their way back from Santiago de Cuba (where Fire Festival 2013 had Colombia as special guest), colombian artists including a Baranquilla folkloric group and Toto la Momposina were booked for a concert to share afrocolombian culture, carnaval music and dance. The venue was one of La Habana numerous theaters, Teatro de America, which was open in 1941 (Avenida de Italia, locally know as Galiano) and still transmits the majestic atmosphere from this golden era.

Alberto Beltran, El Negrito del Batey (Dominican singer in Cuba, Panart 1950s)

(Panart LP-2017).

Panart Records was a pre-revolution cuban record label (before 1959), and released a good number of amazing records. Here's Alberto Beltran, a dominican singer, joined by Conjunto Casino. 
Alberto Beltran (+1997) begun his musical career in "Republica de Santo Domingo" in the 40s, and fame allowed him to travel to Curaçao, Puerto Rico, New York, Haiti, and then to push merengue style in Cuba, recording from 1954 with Sonora Matancera and Conjunto Casino.

MIX /// Tropical Roundtrip Selection (from Colombia to Africa)

(Muzzicaltrips TRT019).

A real tropical roundrip, beginning in colombia with classy 60s cumbia, guiro y guaracha, merecumbe, maracumba, currulao, afrocolombian...
A selection warmly advised to people still convinced that all latin music is more or less salsa... Actually we begin with few examples of the countless styles having emerged in Colombian regions, as merecumbe, being a blend of merengue+cumbia initially popularized in the 50s by Pacho Galan, and here played by Lucho Bermudez.

Palenque culture #01 Palenque de San Basilio


Palenque de San Basilio is a village not far from Cartagena in Colombia (here), which represents a really unique cultural space. At the dawn of the17th century, several groups of african slaves escaped from spanish settlers, building fortified villages called "palenques". San Basilio village, led originally by african king Benkos Bohio, is the only one who survived up to nowadays.

Living during centuries away from occidental and spaniard influences allowed to maintain alive in the community many aspects of the original african culture: social organization (for example age group structures called "kuadro"), rites and believes (based on 3 different worlds) , creole language (taking his roots in bantu language), hairstyles (plaits, supposed to be originally designed in order to reproduce a map of the trails around the village), traditional medicines...
For sure, the drum tradition in the village  is fully representative of these african roots, and is articulated around the three main drums as follows:  
- llamador (small drum, for the tempo)
- alegre (bigger drum, for the solos)
- tamborera (bass drum with sticks)
(additionally, funerals can include a huge drum called pechiche)

Eliseo Herrera, Trabalengua and the folkloric group Los Malibus (Colombia, 1960s)

(Fuentes Delujo LP 400168).

Eliseo Herrera (1924) played with various formations including one of the greatest at Fuentes: Los Corraleros de Majagual. He imposed his specific way of singing which became a style called "Trabalengua" (tongue-twisting). You'll recognize directly listening to following tracks, but basically it consists of producing a dense jerky flow, very fast, adding syllables, without any pause for breathing.

MIX /// Muzzicaltrips In Colombia


Colombia is surely one of the most impressive country in Latin American, notably due to importance, diversity and quality of his music. Regionalism and opening to numerous influences being two particularities, listing and studying every styles (and sub-styles) becomes quickly a full time job. 

Lisandro Meza - Shakalao / Shakara (Fela Kuti vibe in Colombia, 1975)

(Limeza).

Muzzicaltrips travels around mutual influences between Africa and Latin America.
Here's a great example, "Shacalao", played by Colombian Lisandro Mesa, cumbia master, known as "Accordion World Champion", joined by his conjunto.
It consists of a roots afro-colombian version of nigerian king of afrobeat Fela Kuti song "Shakara".
Amazing mixed influences version, atlantic ocean seems to have evaporated...